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    International Conference on Poetry Studies: “Poetry Between Creation and Interpretation“

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    Website https://poetry.lcir.co.uk/ | Edit Freely

    Category Aristotelian poetics; 21st century aesthetics poiesis; mimesis; kinesis; (non-)originality/individuality/voice; poetry; gender; poetic imagination; the arts; language-centered poetics; urban poems; theopoetics; ecopoetics

    Deadline: April 30, 2020 | Date: September 19, 2020

    Venue/Country: Oxford, U.K.

    Updated: 2020-01-11 08:38:07 (GMT+9)

    Call For Papers - CFP

    International Conference on Poetry Studies:

    “Poetry Between Creation and Interpretation“

    19 September 2020 – St. Anne’s College, University of Oxford

    organised by London Centre for Interdisciplinary Research

    Poetry is a constant, being produced by all known civilisations from ancient to modern times. Throughout its extensive history, the individual art of high emotions sublimated into perfect language has approached a vast array of subject matters, including love, war, social issues, the beauty of nature, etc. A particular exercise of the mind and soul, and a unique way of apprehending reality, poetry is a self-sufficient universe that intensifies and enlarges life experience. Pointing to inner knowledge rather than real circumstance, it activates different layers of perception, sweeps away human thoughts, feeds emotions and soothes suffering.

    Poetry inspires as well as instructs, as it is an initiation into the concealed order of the world. Its intense gratification, unrivalled in authenticity and honesty, appeals to human nature and makes ultimate sense of the self, opening the individual to interaction and communication. Poetry ennobles, enlightens and entertains because its expressive boundaries are virtually unlimited. With the help of translation, it goes beyond strict localisation and cultural arbitrariness, generating a sense of spiritual compatibility and communion between the collective identities of the world.

    The conference aims to bring together international poets, literary critics, translators and scholars from diverse contexts and interdisciplinary fields to share their work. As the 2019 edition is dedicated to issues related to poetry, poetics and translation, we invite papers, presentations, manuscripts, panels, roundtables, performances, and other forms of contributions relevant to the areas of investigation.

    Topics may include, but are not limited to:

    from Aristotelian poetics to 21st century aesthetics

    poiesis, mimesis, kinesis

    (non-)originality/individuality/voice amidst technical innovation

    subject-construction in poetry

    gender and poetic imagination

    tropes and schemes of the 21th century

    hybrid & cross-genre poetic modes

    the immeasurable and/or non-measurable in poetry

    form, proportion and balance: long poems, poetic sequences

    associations, juxtapositions and connections

    ekphrasis and ideology

    poetry and the arts: poetic and artistic collaborations

    poetry and science

    poetry and architecture

    poetry and mathematics

    language-centered poetics (including Language- and post-Language writing)

    conceptual and post-conceptual poetry

    urban poems and poetry

    poetics and politics

    poethics and theopoetics

    ecopoetics and ecocriticism

    performance or performative?

    sound and silence

    poetry between phrase and metaphrase

    translation, inerpretation, adaptation

    the translatability of metaphors

    limits and limitations of the poetic discourse

    the role(s) of the reader

    poetry ages and generations

    publishing poetry today

    Paper proposals up to 250 words and a brief biographical note should be sent by 30 April 2020 to: poetry@lcir.co.uk.

    Please download paper proposal form.

    Registration fee – 100 GBP


    Keywords: Accepted papers list. Acceptance Rate. EI Compendex. Engineering Index. ISTP index. ISI index. Impact Factor.
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